![]() The race to unseat the Supreme through the Seven Wonders was the best part of the season, but as soon as they whipped out Stevie Nicks everything kind of fell downhill from there. Its zingy one-liners make me want to throw my laptop at the wall, best encapsulated by witch Myrtle Snow being tied and burnt to the stake while yelling out “BALENCIAGA!!!!!” as her final words. It represents an incredibly cringe epoch that can only be described as American Apparel cross girlboss feminism under the guise of modern Salem trials. The girlies will come after me but Coven is not as iconic as is often made out to be. Think Area 51 with exploding heads, and really smart extraterrestrials. Part two comes in the form of ‘Death Valley’, an alien conspiracy that I’m quite shocked took a decade to come up with. There’s no way I could handle another six episodes of ‘Red Tide’ - where great creatives are turned into legends taking a vampire-esque pill that makes you crave blood as a side effect, while mediocre losers transform into Nosferatu-looking creeps.ĭouble Feature, as the name suggests, splits the season into two different stories midway through, letting each half concisely keep the good stuff, and not spiral out of narrative control like AHS so often tends to do so. Lots of swine motifs, and a somewhat therapeutic disembowelment of annoying psychic ‘Cricket’ from Coven, but ‘Roanoke’s best elements were the documentary-style format, which cuts between ‘real time’, and a meta sequel documentary where all the characters decide to go back for some reason despite all the horrors they’ve gone through.
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